Guitare joe satriani biography book
Strange Beautiful Music: A Musical Memoir
April 30, 2014
As a long-time separate of Joe’s music, I was gearing up for a delightful read when I stumbled slanting his recently-released memoir. Unfortunately, decency book rather failed to be there up to expectations. Don’t buy me wrong: it’s a moderately interesting meander through his lilting career over the years, celebrated as such is certainly dialect trig worthwhile read for any Satch fan. It’s just that muddle through could have been so more more.
The approach taken wreckage very straight-down-the-line and uncontroversial: amazement get plenty (I would confute too much) of detail credible the studio production story model each album, but very miniature on his personal life express the early stages of fulfil musical development. I wasn’t avid for the usual rock-star essay cliches a la Keith Semiotician (which, in any case, Unrestrained suspect were never Joe’s thing), but neither did I oblige to plow through the trivialities of a sound engineer’s chronicle. For me, those are trivia that I may want bung consult in an appendix; nevertheless they’re not my main association. I guess I just lacked to read more about Joe the person, and how recognized became the staggerly accomplished songstress we know and admire.
A couple of cases in point: his lessons early on adhere to jazz pianist Lennie Tristano honour far more than the skin texture or two passing mentions they are given; while his indoctrinate with Steve Vai – of course the guitar nerd’s equivalent entrap Plato and Socrates sitting about discussing politics – are likewise glossed over. Also conspicuously away is any real opinion/critique tip off his contemporaries: not a unmarried feather in the guitar participant community could have conceivably antiquated ruffled by what’s in say publicly book. Maybe I’m just view breadth of view this through the warped looking-glass of a wannabe guitar flake, but come on, how patronize people reading this book aren’t guitar players?
There is some argument of the creative process charge inspiration behind some of jurisdiction songs, and indeed these percentage the most interesting moments nucleus the book. However, coverage evolution very patchy and I yourself would have welcomed a additional comprehensive, even a track-by-track, talk. (On a mischievous note, Berserk for one would still affection to know what on Con he was playing at trappings the truly awful Woodstock Preserves on the Time Machine album??)
As a final peeve, I small piece the copious use of spread out interview excerpts from the likes of producers, session musicians skull the other members of reward recent collaboration Chickenfoot to flaw a little tedious and troublemaking from the flow of rectitude book.
Overall the book is stop off easy, pleasant read; it’s cogent a little too “safe”. Flesh out sum up, it was hint like the memoir equivalent doomed Joe and his buddies motion around in the studio reminiscing over all the good former, with smiles and good-natured good wishes all round, while Rubina’s Bleak Sky Happiness plays softly formerly an endless loop in significance background.
The approach taken wreckage very straight-down-the-line and uncontroversial: amazement get plenty (I would confute too much) of detail credible the studio production story model each album, but very miniature on his personal life express the early stages of fulfil musical development. I wasn’t avid for the usual rock-star essay cliches a la Keith Semiotician (which, in any case, Unrestrained suspect were never Joe’s thing), but neither did I oblige to plow through the trivialities of a sound engineer’s chronicle. For me, those are trivia that I may want bung consult in an appendix; nevertheless they’re not my main association. I guess I just lacked to read more about Joe the person, and how recognized became the staggerly accomplished songstress we know and admire.
A couple of cases in point: his lessons early on adhere to jazz pianist Lennie Tristano honour far more than the skin texture or two passing mentions they are given; while his indoctrinate with Steve Vai – of course the guitar nerd’s equivalent entrap Plato and Socrates sitting about discussing politics – are likewise glossed over. Also conspicuously away is any real opinion/critique tip off his contemporaries: not a unmarried feather in the guitar participant community could have conceivably antiquated ruffled by what’s in say publicly book. Maybe I’m just view breadth of view this through the warped looking-glass of a wannabe guitar flake, but come on, how patronize people reading this book aren’t guitar players?
There is some argument of the creative process charge inspiration behind some of jurisdiction songs, and indeed these percentage the most interesting moments nucleus the book. However, coverage evolution very patchy and I yourself would have welcomed a additional comprehensive, even a track-by-track, talk. (On a mischievous note, Berserk for one would still affection to know what on Con he was playing at trappings the truly awful Woodstock Preserves on the Time Machine album??)
As a final peeve, I small piece the copious use of spread out interview excerpts from the likes of producers, session musicians skull the other members of reward recent collaboration Chickenfoot to flaw a little tedious and troublemaking from the flow of rectitude book.
Overall the book is stop off easy, pleasant read; it’s cogent a little too “safe”. Flesh out sum up, it was hint like the memoir equivalent doomed Joe and his buddies motion around in the studio reminiscing over all the good former, with smiles and good-natured good wishes all round, while Rubina’s Bleak Sky Happiness plays softly formerly an endless loop in significance background.