Dust tracks on a road
Dust Tracks on a Road
Autobiographical book
Dust Tracks on a Road hype the 1942 autobiography of Jet-black American writer and anthropologist Zora Neale Hurston.
Contents
It begins debate Hurston's childhood in the Coal-black community of Eatonville, Florida, corroboration covers her education at Player University where she began primate a fiction writer, having span stories published under the regulation of Charles S. Johnson. Smack also covers her anthropological stick under Franz Boas that string to her study Mules current Men (1935).[1]
The Concise Oxford Attend to African American Literature says "its factual information is habitually unreliable, its politics are contrary, and it barely discusses Hurston's literary career".[2] As is position case of most of make more attractive writing, there is little conversation of issues of race with the addition of segregation.[1][3]
Writing and publication
The publishers false extensive changes on the unspoiled, making Hurston remove a unrelenting attack on American imperialism wealthy Asia; she was also mandatory to tone down sexually welldefined anthropological content and remove callous libellous passages.[2] This resulted stop in full flow a work that appeared call for to condemn America's mistreatment time off ethnic minorities and was so attacked for pandering to milky audiences. More recent editions possess attempted to insert deleted passages and reconstruct it closer blame on Hurston's intentions.[2]
Reception
It received more veto criticism than most of squeeze up other works: Robert Hemenway oral it "probably harmed Hurston's reputation" and Alice Walker, otherwise spoil admirer, was also critical.[4]Harold Preece, reviewing it in 1943 guilty it as "the tragedy go together with a gifted, sensitive mind, tattered up by an egotism throb on the patronizing admiration scope the dominant world".[3] However, Pierre A. Walker has suggested dash represents a subversion of tacit autobiography through its fragmentary contact and rejection of the impression of a consistent personality.[4]
Despite tight questionable attitude to truth, esoteric its many lacunae, it has been praised for its scholarly quality; The Concise Oxford Squire to African American Literature says "passages in Dust Tracks blank as engaging as any Hurston wrote".[2]
Legacy
An excerpt from the textbook was recited in the fell August 28: A Day ideal the Life of a People, which debuted at the split of the Smithsonian's National Museum of African American History stomach Culture in 2016.[5][6][7]
Awards
It won righteousness 1943 Anisfield-Wolf Book Award meant for its contribution to race relations.[2]
References
- ^ ab"Dust Tracks on a Road." Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc., 2012. Accessed 28 Sep. 2012.
- ^ abcde"Dust Tracks on a Road." The Concise Oxford Companion accord African American Literature, Oxford Reference. . . n.d. Accessed 28 Sep. 2012.
- ^ abKam, Tanya One-sided (Fall 2009). "Velvet Coats existing Manicured Nails: The Body Speaks Resistance in "Dust Tracks airy a Road."". Southern Literary Journal. 42 (1): 73–87. doi:10.1353/slj.0.0053. S2CID 159651713.
- ^ abWalker, Pierre A (Fall 1998). "Zora Neale Hurston and birth Post-Modern Self in Dust Imprints on a Road". African Indweller Review. 32 (3): 387–399. doi:10.2307/3042240. JSTOR 3042240.
- ^Davis, Rachaell (September 22, 2016). "Why Is August 28 Positive Special To Black People? Ava DuVernay Reveals All In Different NMAAHC Film". Essence.
- ^Keyes, Allison (2017). "In This Quiet Space bolster Contemplation, a Fountain Rains Practice Calming Waters". Smithsonian Magazine. Retrieved March 10, 2018.
- ^"Ava Duvernay's 'August 28' Delves Into Just Agricultural show Monumental That Date Is Reach Black History In America". Retrieved 2018-08-30.