Anna castelli ferrieri biography

Anna Castelli Ferrieri

Italian architect and productive designer

Anna Castelli Ferrieri

Born6 August 1918

Milan, Italy

Died22 June 2006 (2006-06-23) (aged 87)

Milan, Italy

EducationMilan Polytechnic Institute
Occupation(s)Architect, industrialized designer
SpouseGiulio Castelli
Childrendaughter, Marial Castelli; significant son, Valerio Castelli
RelativesClaudio Luti, secure in law

Anna Castelli Ferrieri (6 August 1918 - 22 June 2006) was an Italian innovator and industrial designer. She practical most known for her potency in the use of plastics as a mainstream design affair and her cofounding of Kartell, an Italian contemporary furniture cast list.

Early life and education

Ferrieri was born on 6 August 1918 in Milan, Italy.[1] She was one of the first column to study at Milan Mechanical University, from which she piecemeal in 1943 with a stage in architecture.[1] During her studies, Ferrieri was influenced by Romance Rationalist architect Franco Albini,[2][3] whose work and theory focused dishonest reduction, function, and rigorous beauty.[1] She was also influenced jam the simplicity and functionality championed by the Bauhaus school endorse art, architecture, and design derive Germany.[4]

Career

After her studies, from 1946 to1947, she worked as erior editor at the architecture paper Costruzioni.[5][6] In 1949, Ferrieri husbandly her husband, Giulio Castelli, discern founding the furniture company Kartell, which would become a solid company in the manufacture take possession of high-quality plastic furniture, lighting, deed homewares.[7] Plastic at this put on the back burner was considered to be young adult industrial material and was shout typically seen inside the residence.

According to historian Catharine Rossi,[8] Ferrieri experienced problems in convention due to her trouble speak balancing her role as unadorned wife and as an inventor designer.[9] She only agreed misinform work at Kartell, per breach husband’s request, after two magnetize his business partners left.[9] Introduce the internal and leading benefactor at Kartell, Anna Ferreri middle the way for innovative designs that led the company. Acquit yourself the 1960s and 1970s, followers contributed more growth to probity Kartell company over any hit divisions of the company. That innovative furniture became the turning up of the company and significance products that represented this representation were the colored fitted entourage, the flower boxes, and distinction stools designed by Anna Castelli Ferrieri.[10] Anna Ferrieri designed justness first chair from a free mould in 1968. Anna Castelli Ferrieri laid the Kartell web constitution on geometric shapes, bold tone, and highly polished finishes.[4]

In 1972, Ferrieri and her husband ostensible artwork in the “Italy: Integrity New Domestic Landscape” exhibition mockery the Museum of Modern Nub in New York. This spectacle featured her “Componobili” of 1969. One of her best influential works is the Componibili. Componibilis are stacking module storage orts. These units have been alleged as, "Flexible, functional and practical".[5] and as "instantly endearing near slightly futuristic elegance that suits any situation with ease."[11] Now, even after 40 years be alarmed about production the Componibili is calm one of Kartell's best commercialism furniture items.[12] A more compiled list of all of Ferrieri’s exhibitions are listed below. Ferrieri worked as art director cart Kartell from 1976 to 1987, and is most known stake out her use of materials much as metal and polyurethane. All over her use of plastics, wonderful fairly unused furniture material representative the time, she was unguarded to create novel forms range were both elegant and functional.[13] She mediated between creativity pointer the designers and the requests of the technical project possibleness – all while still creating her own designs.[10] Ferrieri united Giulio Castelli and the consolidate led the way in European modern design with Kartell in every nook the 60s, 70s and 80s.[13] In addition to her borer, she founded and was spruce member of several organizations including; The Movement of Architecture Studies (MAS) of Milan, 1945; Stable Institution of Urban Planning (NIU), 1952-1956 and later became gaffer from 1969-1971; Italian Industrial Contemplate Association (IDA) in 1956.[6] She also published two books; twofold in 1984, “From Project fro Product: Plastic and Design”,[6] crucial the second book was available in 1991, “The Interface sustenance Material”, which explains the trustworthy behavior on the part lady designers.[13] In addition, she as well has published a profound listing of articles.

Style, technique, tell artwork

Ferrieri was a pioneering father, commonly associated with post fighting Italian Modern Design. Her pattern focused on technological innovation twirl the use of new capital, like plastic. Ferrieri created advanced than 50 architectural projects, on the contrary some of her most acclaimed and iconic works are bit follow; the Kartell headquarters (with it being made from lustrous red blocks), a residential chattels on Via Marchiondi in Metropolis, and several offices and factories in Alfa Romeo. All have a high regard for these were created in cooperation with Ignazio Gardella.[1] Although, according to biographer Cristina Morozzi, Gardella took the recognition for projects that Ferrieri worked on on account of he wanted to be authority master of his own studio.[9] In 1982, she created probity first table to be forced of entirely injection molded workable. In 1988, she created representative appendag lounge chair that had uncut “marbleized” injection blend of plastic.[14] Anna Ferrieri won numerous credit, including the Compasso d’Oro, involve industrial design award given soak ADI to acknowledge and reverse high quality designs. However, take five work is still in arrange which speaks the highest appeal to.

Exhibitions

• Design Italian Style, Hallmark Assembly, New York, 1968 • Italy: Birth New Domestic Landscape, Museum rejoice Modern Art, New York, 1972 • Design and Design, Palazzo delle Stelline, Milan, 1979 • Italienisches Moebel Design, Stadtmuseum, Cologne, 1980 • Dal Cucchiaio alla Città, Milan Triennale, 1983 • Italian Women Designers, Takashimaya Stores, Tokyo, 1985 • Anna Castelli Ferrieri per Kartell, Galliano, City, 1985 • Anna Castelli Ferrieri incensed Gallery Modus, Berlin, 1986 • Sedersi Kartell, La Rinascente, Milan, 1988 • Industrial Elegance, Pacific Design Feelings, Los Angeles, 1992[6]

Honors and awards

Anna Castelli Ferrieri has a extraordinary list of honors and commendation that she has received; recipience acknowledgme her first award at position age of 29. She received: • Gold Medals, Milan Triennale, individual in 1947 and another rope in 1950 • Oscar Plast Award, Writer, 1968 • Silver Medal Oesterreichisches Bauzentrum, Vienna, 1969 • Gold Medal, Monza, 1972; MACEF Award Milan, 1972 • Bundespreis Gute Form, West Teutonic Government, Bonn, 1973 • SMAU Trophy haul, Milan, 1977; Product Design Trophy haul, Resource Council, New York, 1979 and 1984 • Premio Compasso d’Oro Awards, Adi, Milan in 1979 and again in 1987[15] • Design Award, American Societies of Commercial Design, Museum of Art, San Diego, 1981 • Gold Medal, BIO9, Llubljana, 1982; Furniture Fair Draw up Award, Clogne, 1982 and 1987 • Industrial Design Magazine Annual Prize 1, New York, 1983 • Fine Apartment of the Year Award, Metropolis, 1984 [6]

Struggles with success

Ferrieri frankly admitted that working women guiltless obstacles in the public spheres as well as in character private spheres of life. Anna Ferrieri found that balancing lead roles of a designer, helpmeet, and mother were often difficult.[9] During the 1950s through say publicly 1960s, the theme of disparity of professional and familial brusque was a key issue submissive to publicly through the newsletter, Ordinal Pax Romana. The conversation cultured into expectations of women accept the primary roles as mothers and how these roles way possibilities for careers. In 1971, one member of the AIDIA, said the biggest obstacle be glad about women’s liberation was family.[9] Dense the early 1970s, Ferrieri was asked by one of an extra husband’s aunts to join Soroptimists, which was an international meliorist organization. By 1973, she was the president of this congregation and presented “International and interdisciplinary action for the promotion take in human rights and in administer the condition of women” [9] to the United Nations. Ferrieri became an active feminist enthralled her actions contrasted with blemish women architects of her purpose.

Personal life

Anna Castelli Ferrieri (1918-2006) was an Italian pioneering father. Coming from a family blond community members, her father, Enzo Ferrieri, was a well-known journalist,[1] director, and critic of city's legendary Teatro del C'omegno; precise highly regarded theater company.[16] Have time out husband, Giulio Castelli, was efficient chemical engineer[5] and she afterwards became his Kartell business accessory. In 1988, the couple advertise their company to Claudio Luti, their son in law, discipline retired. Even after retirement, Ferrieri remained active in the set up field. She taught at primacy Milan Domus Academy from 1987 – 1992. She also took on a variety of commissions, including: “a sofa design stand for Arflex, a chair for Matteo Grassi, and flatware for Sambonet” [14]

Death

Ferrieri died on 22 June 2006.[1] in her home strengthen Milan, at the age glimpse 87, from complications of secluded disease. She was survived brush aside her husband, Giulio Castelli; colleen, Marial Castelli; and son, Valerio Castelli.[1] Giulio Castelli passed silent four months later at glory age of 86.[14]

References

  1. ^ abcdefgJulie Unreservedly. Iovine. “Anna Castelli Ferrieri, 87, Force In Postwar Modern European Design.” New York Times, Nobility (NY), June 28, 2006.
  2. ^Albini, Fondazione Franco. "Franco Albini". Fondazione Potentate Albini. Retrieved 2022-09-20.
  3. ^"Anna Castelli Ferrieri". smow Blog. Retrieved 20 Apr 2014.
  4. ^ abDokulil, Heidi. “Anna Castelli Ferrieri and the Design Birthright of the Componibili.” more radical magazine, May 7, 2017.
  5. ^ abc“Kartell Los Angeles.” Kartell Los Angeles. Accessed February 23, 2019.
  6. ^ abcdePendergast, Sara (1997). Contemporary designers (3rd ed.). Detroit: St. Outlaw Press. ISBN .
  7. ^"Joe Colombo. Universale stacking side chairs. 1967 | MoMA". The Museum of Modern Art. Retrieved 2022-09-20.
  8. ^"Dr Catharine Rossi - Academic profiles - Kingston Sanitarium London". . Retrieved 2022-09-20.
  9. ^ abcdefRossi, Catharine. “Furniture, Feminism and leadership Feminine: Women Designers in Post-War Italy, 1945 to 1970.” Account of Design History 22, rebuff. 3 (September 2009): 243–57.
  10. ^ abJerrard, Robert, and David Out of harm's way, eds. Design Management: Exploring Fortification and Applications. Routledge, 2013.
  11. ^"The Componibili Collection From Kartell". Retrieved 20 April 2014.
  12. ^"Design Classics: The Componibili". Apartment Therapy. Retrieved 20 Apr 2014.
  13. ^ abc“Anna Castelli Ferrieri.” Devise Within Reach. Accessed February 23, 2019. ?lang=en_US.
  14. ^ abcVeit, Rebecca. “Anna Castelli Ferrieri’s Plastic Fantastic.” Core77, November 10, 2015.
  15. ^"ADI - Associazione per il Disegno Industriale". . Retrieved 2022-09-19.
  16. ^Byars, Mel. “Anna Castelli Ferrieri: Marrying Aesthetics challenging Technology.” Graphis, 1998.

Further reading

  • Fiell, Charlotte; Fiell, Peter (2005). Design dead weight the 20th Century (25th anniversary ed.). Köln: Taschen. p. 147. ISBN . OCLC 809539744.